That's Unreal: Robert C. Jackson
Jackson continues to bemuse and astonish with his humorous still life paintings that offer commentary on human experiences, aspirations, and vices. An opening reception will be held Thursday, November 9th from 6 to 8 PM.
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Robert C. Jackson, A TASTE FOR ART, 2023
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Robert C. Jackson, YOUR TURN, 2023
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Robert C. Jackson, SPAGHETTI, 2023
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Robert C. Jackson, SHADOW, 2023
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Robert C. Jackson, PLEASE MOVE, 2023
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Robert C. Jackson, LONGING, 2023
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Robert C. Jackson, OUT OF PRACTICE, 2023
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Robert C. Jackson, READY, 2023
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Robert C. Jackson, FERTILE SOIL, 2023
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Robert C. Jackson, MILK AND COOKIES, 2023
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Robert C. Jackson, DON'T EVEN THINK ABOUT IT, 2023
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Robert C. Jackson, NEW RECORD, 2023
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Robert C. Jackson, SPOTLIGHT, 2023
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Robert C. Jackson, LOSING REALITY, 2023
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Robert C. Jackson, BUBBLE BLOWER, 2023
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Robert C. Jackson, SENTINELS, 2023
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Robert C. Jackson, HE SELLS SEA SHELLS, 2023
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Robert C. Jackson, CATS AND DOGS, 2023
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Robert C. Jackson, CONTEMPLATING, 2023
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Robert C. Jackson, SPA DAY, 2023
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Robert C. Jackson, SNACKING, 2023
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Robert C. Jackson, GOOD COMPANY, 2023
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Robert C. Jackson, CREATORS, 2023
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Robert C. Jackson, PEACEABLE KINGDOM, 2023
Gallery Henoch is pleased to announce That’s Unreal, Robert C. Jackson’s seventh solo show with the gallery. Jackson continues to bemuse and astonish with his humorous still life paintings that offer commentary on human experiences, aspirations, and vices. An opening reception will be held Thursday, November 9th from 6 to 8 PM.
Robert C. Jackson’s still lifes are anything but “still.” By offering tight compositions brimming with potential movement and elements of implausibility, he simultaneously references the absurd, the comical, and the pertinent. Aiming to bend reality, Jackson hooks his audiences with scenes that have them questioning what they saw. This comes under the form of his habitual balloon dogs engaging in humanlike debauchery, but also in elements of trompe-l'oeil, where the notion of play holds significance. In SHADOW and FERTILE SOIL Jackson challenges the viewer as he recreates scenes from his studio life that prompt contemplation as he blurs the lines between reality and illusion.
In this new series of paintings Jackson’s signature characters return to play a central role in the artist’s storytelling technique. These props, most notably balloon dogs, vintage figurines, and soda crates, are used to play out anthropomorphized dramas, occasionally delving into taboo subjects. Through a humorist approach, Jackson reconciles challenging themes with that of pleasure, seeing it as the antidote to the realities of everyday life. Works like SPAGHETTI and DON’T EVEN THINK ABOUT IT evoke a strong narrative, but Jackson cleverly avoids spoonfeeding all the necessary details, echoing his belief that “art is dialog.” By using allegory and metaphor to tell his tales, Jackson plays the role of a stage director: setting the scene into motion but letting viewers decipher and interpret for themselves.