The Female Eye: Group Exhibition
The idea for this exhibition took form early in 2017, when women and women’s concerns were experiencing a notable resurgence. For those of us at Gallery Henoch, featuring the work of our female artists has become a means to underscoring the talent and resilience of women everywhere. We hope to point towards a better future, one which affords women, especially women artists, increasingly greater visibility. Since its earliest inception by George Henoch Shechtman over 50 years ago, a relatively large percentage of the artists the gallery represents have been female. This is a part of our history of which we are particularly proud. Eleven of these artists have contributed paintings to The Female Eye.
Several influences converge in this exhibition. First, Gallery Henoch is a contemporary realist gallery. These eleven artists are representational painters who strive to portray life as it appears, but also as seen through the lens of personal experience, time and place. Three of them are figurative painters. Six prefer to do still life or landscapes. The work of the other two does not fit neatly into a particular category. Something similar may be said regarding methods. While the majority employ innovative color and/or brushwork, some also explore classical techniques more typical of Italian or Dutch Renaissance art. One artist utilizes resin in addition to paint. The overall theme is contemporary realism, but so much individual variation resides within.
Because the artists in the current exhibition are female, there is no doubt that gender affects the way they experience themselves in the world, and thus the way they see and portray it. The title of this exhibition, The Female Eye, refers to this phenomenon. Yet within this group of eleven artists there is no “Women’s Art,” only women who do art, each conveying her own personal vision. In presenting the work of our artists who are women, we seek to demonstrate the diverse ways in which each creates her art.
Finally, a portion of the proceeds from the exhibition will be donated to breast cancer research at Memorial Sloan Kettering Cancer Center. Breast cancer is everyone’s concern, but it’s especially a women’s concern. Around the world women have had to fight for proper recognition, for humane treatment, and for appropriate medical care. We want to emphasize the importance of committing to worthy causes such as this. On a more personal note, George has contributed to research at Memorial Sloan Kettering for almost 35 years. We hope to continue this tradition, increasing the possibility that more women’s lives will be saved in the future.
-Nancy Hicks
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Susan Goldsmith, LAVENDER LULLABY (Triptych), 2018
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Alexandra Pacula, FLUTTERING LUMENS, 2018
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Janet Rickus, STILL LIFE WITH 12 SPOONS, 2017
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Renee Foulks, IN THE GARDEN: LEFT PANEL, 2019
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Olga Antonova, ASIAN TEAPOTS AND PLATES , 2018
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Patricia Traub, GUARDIAN WITH TWELVE ANIMALS, 2019
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Olga Antonova, SELF PORTRAIT WITH LAP DOG, 2019
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Olga Antonova, SELF PORTRAIT WITH PHEASANT, 2019
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Olga Antonova, SELF PORTRAIT WITH WHITE CRANE, 2019
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Susan Goldsmith, CHERRY REVERIE (Diptych), 2019
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Renee Foulks, CHARNÉE, 2006
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Sharon Sprung, NATURE/NURTURE, 2019
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Susan Goldsmith, MOUNT BAHNA (Diptych), 2018
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Sharon Sprung, FROM MY ROOF, 2008
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Janet Rickus, GRIFFIN'S GREEN STRIPED MUGS, 2019
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Alexandra Averbach, ALLURE, 2019
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Alexandra Averbach, CRANBERRIES, 2019
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Alexandra Averbach, TRANSPOSED, 2019
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Sunghee Jang, FLOOR, 2019
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Sunghee Jang, WINDOW, 2019
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Anita Mazzucca, A VERY LARGE TREE ON BAYONET FARM, 2017
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Anita Mazzucca, HILLS IN MARLBORO, NJ, 2019
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Anita Mazzucca, THE FARM ON TENNENT ROAD, 2019
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Elizabeth McGhee, A HOLE IN ONE, 2018
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Elizabeth McGhee, CAROL OF THE BELLS, 2019
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Elizabeth McGhee, FEEDER FISH, 2019
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Alexandra Pacula, TRANQUIL DAWN, 2019
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Janet Rickus, KEEP A LID ON IT, 2019
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Janet Rickus, YOGB, 2019
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Sharon Sprung, SERENDIPITY, 2019
With work by Olga Antonova, Alexandra Averbach, Renée P. Foulks, Susan Goldsmith, Sunghee Jang, Anita Mazzucca, Elizabeth McGhee, Alexandra Pacula, Janet Rickus, Sharon Sprung, and Patricia Traub
September 19 – October 22, 2019
This September, Gallery Henoch is pleased to present The Female Eye, a group exhibition of 11 contemporary female realist painters investigating their present-day truths. The exhibition will open with an invite-only reception on September 19th and will be on view to the public through October 22nd, 2019.
Gallery Henoch, located in Chelsea’s Gallery District, has a history of recognizing and promoting female artists since its founding in the 1960’s. The current exhibition is the gallery’s first attempt to do a group show focused solely on the work of women. The intention is to illustrate the way each individual creates her work, even as all share the experience of being female.
Some of the paintings presented examine reality in its raw, personal minutiae; Alexandra Pacula and Sunghee Jang focus upon scenes of urban complexity and the sense of self in a fast-paced society, while Patricia Traub’s harmonious menageries call for empathy among all living things.
Other artists direct a lens to a particular facet of everyday existence – lush trees and the seemingly wild landscapes of New Jersey are painted in painstaking detail by Anita Mazzucca, while Alexandra Averbach, Janet Rickus and Olga Antonova apply geometry, design elements and incredible draftsmanship to intricate still lifes: flowers, fruits, and kitchen utensils.
Reflection on identity is pursued by Sharon Sprung, whose sensual realist figures evoke the nuanced intensity of beholding the gaze of another; In contrast, Renée Foulks explores the spatial and emotional relationship of observed bodies in scenes that are almost surreal. Elizabeth McGhee balances humor and puns through her paintings as she addresses common life themes. And the layered paints and resins of Susan Goldsmith’s works glimmer like gemstones that have been lit from within.
The exhibition will benefit Breast Cancer Research. Breast cancer is everyone’s concern, but it’s especially a women’s concern. As women’s issues have come increasingly to the forefront, and women in the arts have begun to achieve greater visibility, The Female Eye calls attention to this important moment in time. In awareness of the countless ways women around the world have had to fight for proper recognition, for humane treatment, and for appropriate medical care, the gallery seeks to highlight the resilience of women through the perspective of these female artists.
About the gallery:
George Henoch Shechtman founded his first gallery in a space on Christopher Street in Greenwich Village with a modest investment and a natural talent for marketing, selling, and trading. Inspired in the 1960’s by his first trip to Europe, where he experienced the great museums of Madrid, Paris and London, Shechtman returned to Rutgers University to study art. Under the influence of famous Rutgers-educated artists such as George Segal, Lucas Samaras, Robert Watts and Allan Kaprow, his interests turned away from the abstract geometric paintings he himself created, and towards collecting and selling the works of objective realist painters whose talents he admired. After moving from the initial Christopher Street Gallery to Soho and then to its current Chelsea location, Gallery Henoch continues to represent some of the finest realist painters working today.